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INDUSTRY & USE CASE · POST-PRODUCTION HOUSES

PlayPause for Post-Production Houses

The Collaborative Review Platform Built for the Way Post-Production Houses Actually Work, Multiple Projects, Multiple Clients, Multiple Versions, One System

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Faster review cyclesApprovals per week climb as revision rounds shrink.
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Post-production is a high-stakes, high-volume business run on deadlines, trust, and the ability to turn client feedback into a better cut before the next scheduled session. Every day, post-production houses manage dozens of concurrent projects, coordinate review sessions across directors, producers, agencies, and broadcasters, and deliver large professional-format files that need to be accessible, secured, and signed off before a broadcast or release date. PlayPause is built for this specific operational environment. Not a consumer video platform with review features bolted on. A professional review system designed from the ground up for the workflows, formats, and client relationships that define the post-production industry. Multi-project management · All professional formats · Client review portal · Frame-accurate feedback · Watermarking and security · Full approval audit trail Trusted by post-production houses, edit suites, and finishing facilities managing high-volume client review worldwide.

The Post-Production Operating Environment PlayPause Is Built For

High Volume, High Stakes, Multiple Clients Running Simultaneously

Dozens of projects active at the same time

A mid-sized post-production house runs between twenty and sixty concurrent projects at any given moment, commercials in various stages of edit, episodic work across multiple episodes and rounds, corporate and branded content across a variety of clients, and long-form projects with production timelines spanning months. Managing the review status of all of these simultaneously, knowing which cuts are with which clients, which versions have been approved, which are waiting on feedback, and which are overdue, is itself a full-time operational challenge. PlayPause's multi-project dashboard gives every producer and post supervisor a real-time view across the entire active slate.

Multiple review stakeholders per project

A single commercial project at a post-production house typically involves review by the editor, the director, the agency creative team, the brand client, the legal team, and in some cases the network or platform. Each of these stakeholders has a different perspective, different priorities, different levels of familiarity with the review process, and different access requirements. PlayPause's configurable review links, per-client portal, and multi-stage approval workflow accommodate every stakeholder in the same project without exposing internal materials to external parties or conflating separate review conversations.

Fast turnaround expectations on high-quality content

Post-production clients do not tolerate slow feedback loops. A director who leaves notes on a rough cut at 6pm expects the editor to have actioned them by the next morning session. A brand client who approves a cut on Friday expects the final master ready for broadcast on Monday. The review and approval process is on the critical path of every delivery. Any friction in the feedback mechanism, unclear notes, lost email threads, ambiguous version references, delays the delivery. PlayPause removes that friction entirely.

Pre-release content that requires serious security

Post-production houses hold the most sensitive materials in any production's lifecycle, rough cuts that have not been through legal clearance, VFX work-in-progress that would embarrass the production if it leaked, unreleased campaign content under strict embargo, and broadcaster content with contractual confidentiality obligations. The security model for this content cannot rely on trust alone. PlayPause's layered security, dynamic watermarking, expiring links, domain restriction, access logging, and instant revocation, provides the technical controls that match the contractual and reputational obligations of professional post-production.

The Specific Workflow Problems PlayPause Solves for Post-Production Houses

The challenges below are the day-to-day realities of post-production house operations. PlayPause addresses each of them directly.

The challenge PlayPause solves it
Clients leave vague notes like 'tighten the middle section' with no timecode or frame reference. Frame-accurate comments pinned to the exact frame. Every note is actionable from the moment it is received.
Multiple versions of the same cut in circulation, reviewers unsure which is current. Version control with clear numbering, upload timestamps, and a version comparison tool. One source of truth.
Review email threads lose context across replies and become impossible to action. All feedback lives on the video timeline. Comments are threaded, timecoded, and permanently attached to the version they reference.
No record of when a client approved a version, disputes arise at delivery. Timestamped approval with named approver, version reference, and auto-generated PDF certificate. Permanent and unambiguous.
Manual H.264 export required before every share, blocking the workstation for minutes per file. Upload the ProRes or DNxHD master directly. Cloud proxy generation starts immediately, no local transcoding required.
Client review links stay active indefinitely, superseded cuts remain accessible months after delivery. Expiring links close automatically at the configured date and time. No manual revocation required.
No way to identify who leaked a pre-release cut if a frame appears online. Dynamic per-viewer watermarking embeds name and email on every frame. Investigation takes minutes, not weeks.
Separate review tools for internal team and client-facing review, doubling the workflow. One platform handles internal review, client-facing portal, and approval, all under the same project record.
Post supervisors have no visibility into whether a client has actually opened and watched a version. Per-viewer access logs show who opened each link, when, for how long, and whether they left notes.
Client approval delivered as a verbal confirmation or informal email, legally unenforceable. One-click formal approval with timestamped record, approver identity, and auto-generated PDF certificate.

How PlayPause Fits Into the Post-Production House Workflow

From Edit Suite Delivery to Client Approval, End to End

Step one: upload the cut directly from the timeline export

When an editor completes a pass and renders a timeline export, ProRes HQ, DNxHD, or any professional format, that file is the one that goes into PlayPause. There is no second H.264 export to create, no proxy to pre-render, no format conversion before upload. Drag the master file into the PlayPause project and the cloud proxy generates automatically in the background while the editor moves on to the next task. The cut is available for review within minutes of upload completing, without occupying the workstation.

Step two: internal review before external share

Before a cut goes to the director or the client, the production team uses PlayPause to conduct an internal review pass. The post supervisor and producer watch the cut, leave frame-accurate notes for the editor, and confirm the cut is ready to share externally. The internal notes are visible only to the team, they are not part of the client-facing record. This internal QC step happens in the same platform as the external review, without requiring a separate tool or a separate upload.

Step three: share with the director for creative notes

The director receives a review link with the cut and any specific watch instructions. They open it on any device, the MacBook on their desk, the iPad on the way to set, the phone in the back of a car, without needing a PlayPause account. They watch the cut, leave frame-accurate notes with optional on-screen drawing, and the production team receives the notes immediately in the project. The director's notes are organised by timecode, attributed to them, and immediately actionable by the editor.

Step four: share with the agency and client for feedback rounds

The client-facing review link goes through PlayPause's branded client review portal. The agency's creative director and the brand client see the cut in a clean, professional review environment under the facility's branding. Notes from different stakeholders at the agency, creative, account management, legal, all land in the same version record, attributed to each individual. The production team sees all notes in a single panel without having to reconcile multiple email threads.

Step five: manage revisions and version history

When revisions are complete and the editor uploads the next version, it lands in the same project as a clearly numbered new version. Previous versions, with all their comments and feedback records, remain accessible in the version history. The director and client see the new version with a clean comment panel, but can navigate back to the previous version's record to confirm that their notes were addressed. The version history is the production's complete creative record.

Step six: formal approval and delivery

When the cut is approved, the client or director clicks the approval button in the portal. The approval is recorded with their name, their email, the version number, and the timestamp. A PDF certificate is generated automatically. The production team receives notification of the approval and can proceed to delivery with documented sign-off. If a broadcaster or platform requires evidence of client approval before accepting the delivery, the certificate is included in the delivery package.

The PlayPause Features That Matter Most to Post-Production Houses

Built for the Specific Demands of a Post Facility Operation

Multi-project dashboard, the entire active slate in one view

The PlayPause production dashboard shows every active project in the workspace with its current review status, the most recent version, any outstanding feedback, and any overdue approvals. A post supervisor starting their day sees immediately which projects need attention, which are waiting on client feedback, and which are on track. The dashboard is the operational nerve centre of a busy facility, replacing the spreadsheet, the whiteboard, and the morning status call with a live, accurate view of where every project stands.

All professional formats accepted, upload without pre-conversion

Post-production houses work with ProRes in every variant, DNxHD and DNxHR in every bitrate, R3D from RED cameras, ARRIRAW from ARRI cameras, CinemaDNG, MXF in all broadcast profiles, and H.264 and H.265 in all delivery configurations. Every one of these formats uploads directly to PlayPause without a pre-conversion step. The facility's editors render their timeline exports and upload them, they do not maintain a separate export preset for review formats or dedicate workstation time to review proxy creation. PlayPause handles that in the cloud.

Frame-accurate comments, feedback that is directly actionable in the edit

Every comment left in PlayPause is pinned to a specific frame number. A director's note is on frame 1847 of the 25fps ProRes master. When the editor opens their NLE, they navigate to frame 1847 and action the note. There is no timecode conversion, no approximation from 'around the two-minute mark,' no parsing of an email that says 'the bit where the car drives away.' The feedback arrives in a form that the editor can use immediately in the edit without any translation or interpretation.

Dynamic per-viewer watermarking, forensic protection for pre-release content

When a review link is shared with a director, an agency producer, or a client, the video they see has their name and email address embedded on every frame in real time. If a frame from a pre-release cut appears in an unauthorised context, a trade publication, a competitor's reference board, a social post, the watermark identifies exactly which reviewer's copy it came from. For a post-production house managing pre-release content under strict confidentiality agreements, this forensic capability is not a nice-to-have. It is the technical mechanism that backs up the contractual obligation.

Client review portal, a professional review environment under the facility's brand

The client-facing review experience in PlayPause can be served from the facility's own subdomain, with the facility's logo, and with white-labelled notification emails. The client receives a link to what appears to be the facility's own review system, not a third-party platform. The experience communicates professionalism and attention to detail, which is exactly what a post-production facility's client relationship depends on. The portal is the product the client sees. The rest of the platform is the infrastructure behind it.

Formal approval with timestamped record and PDF certificate

Every approval in PlayPause generates a permanent, unalterable record: the approver's name, email, the version they approved, the date and time to the minute, and a unique reference number. The auto-generated PDF certificate is included in delivery packages, provided to broadcasters as evidence of sign-off, and retained in the facility's records for the duration of the project's archival period. The certificate does not require a signature, a scanned document, or a confirmation email that may be disputed later. It is generated by the system at the moment of approval.

Version control with complete history

Every version uploaded to a PlayPause project is retained with its full record, the upload timestamp, the uploader's identity, all comments from every reviewer, the approval status, and the access log showing who watched it and for how long. Post-production houses working on projects with ten, fifteen, or twenty revision rounds have a complete version history that can be reviewed, exported, and referenced at any point during the project or after delivery. The version history is the definitive production record.

Expiring links, access closes automatically when the review period ends

A post-production facility shares dozens of review links per week across dozens of projects. Without automatic expiry, every one of those links remains active indefinitely unless manually revoked. PlayPause expiring links close at the configured date and time without any manual action. When a project delivers, the review links expire. When a client's approval deadline passes, the link closes. The exposure surface of the facility's pre-release content shrinks automatically as projects complete.

Batch uploads, the entire edit session's output in one action

At the end of an edit session, a post facility may have five cuts, eight campaign variants, or twelve episodic rough cuts to upload for review. PlayPause batch uploads allow all files to be dragged into the destination project simultaneously, each begins uploading and generating a proxy in parallel, and review links can be generated for the entire batch in a single action. What previously required forty minutes of upload, export, and link management takes three minutes in PlayPause.

Review · frame-accurate comment

PlayPause Across Every Role in a Post-Production House

The Same Platform, Configured for Each Team Member's Needs

Post producers and project managers

Post producers are the operational centre of a post-production house. They manage the flow of content from the edit suite to the client, track version history, chase approvals, coordinate review sessions, and maintain the project's delivery schedule. PlayPause gives post producers a single dashboard across the entire active slate, review status, approval progress, outstanding notes, and access logs, so they can manage client relationships and delivery timelines without relying on email status updates or manual spreadsheet tracking.

Editors and online editors

Editors spend their time cutting, not managing feedback logistics. PlayPause eliminates the overhead that typically falls on editors in the feedback loop: the H.264 export before every share, the email triage to extract actionable notes from a thread, the version number confusion when multiple copies are in circulation. Every note from every reviewer lands in PlayPause against the correct version at the correct timecode. The editor opens the project, sees a clean ordered list of frame-accurate comments, and actions them. Nothing is lost, nothing is ambiguous, nothing requires a phone call to clarify.

Colourists and finishing artists

A colourist reviewing a DI pass with a director, or a finishing artist delivering an online master for broadcaster approval, uses PlayPause to share their output and collect technical and creative notes in a single organised record. The technical metadata of the uploaded file, codec, resolution, frame rate, colour space, is read and displayed automatically, giving both the colourist and the reviewer confidence that the correct version is being assessed. Download access can be configured to allow the director or DOP to view the graded output offline without downloading the original master.

VFX coordinators and supervisors

VFX coordinators managing shot deliveries from multiple artists and multiple vendors use PlayPause to organise incoming renders by shot, version, and status. VFX supervisors leave frame-accurate notes on individual shots directly in the review player. Shot-level approval records track which shots have been signed off and which are still in revision. The VFX coordinator has a real-time view of completion status across the entire shot list without maintaining a separate tracking system.

Sound editors and audio post teams

Sound editors delivering mix reviews and the audio post team sharing final dubs use PlayPause to share audio-video files for client and director review. Frame-accurate notes on dialogue intelligibility, music timing, sound effects sync, and overall mix balance are left directly on the timeline. The director and producer leave their notes in PlayPause rather than in a session in a dubbing theatre, reducing the number of formal review sessions required and giving the sound team actionable notes before the next scheduled session.

Client services and account managers

Client services managers are the interface between the facility and its clients. They need to manage the review and approval process for multiple clients simultaneously, maintain professional client-facing communication, and ensure that sign-off is documented before delivery. PlayPause's client review portal, the formal approval mechanism, and the access logs give client services managers the tools to manage the client relationship professionally, tracking who has reviewed, following up on outstanding approvals, and providing documented evidence of sign-off at delivery.

The Types of Post-Production Work PlayPause Handles

Built for the Full Range of Work a Post Facility Manages

Commercial and advertising post-production

Commercial post-production is high-volume, high-turnover, and client-facing at every stage. A post facility working with advertising agencies manages rapid revision cycles, multiple stakeholder review rounds, and strict embargo periods on pre-broadcast campaign content. PlayPause's branded client portal, multi-stage approval workflow, expiring links, and watermarking are specifically suited to the commercial post environment, where the client relationship is everything and the security of pre-release content is contractually critical.

Episodic television and streaming

Episodic post-production involves long project lifecycles, multiple episodes in simultaneous post, large files at high resolutions, and structured approval chains involving showrunners, network executives, and platform delivery teams. PlayPause's multi-project dashboard gives the facility oversight of all active episodes simultaneously. Version history across a full season is preserved in a single project record. Expiring links ensure that superseded cuts do not remain accessible as the season progresses. Formal approval certificates provide documented sign-off for broadcaster delivery.

Long-form documentary and feature film

Documentary and feature film post involves months-long production relationships, extensive version histories, and deeply collaborative creative processes. The PlayPause version history preserves every cut from first assembly to final delivery with its complete feedback record. A director reviewing version eighteen can look back at the notes on version four without any manual record-keeping. The complete creative record of the project, from first rough cut to approved master, is preserved in a single place for the duration of the production and beyond.

Branded content and corporate video

Branded content facilities delivering video assets for brand clients, hero films, social cuts, internal communications, training content, use PlayPause to manage high-volume output with streamlined client approval. Multiple asset types and aspect ratio variants for a single campaign upload in a single batch, share through a single client portal link, and collect approval in a structured workflow. The client sees a professional, branded review environment. The facility tracks all approvals in a single record.

Broadcast and streaming platform delivery

Post-production houses delivering content to broadcasters and streaming platforms for compliance review and technical approval use PlayPause to provide a professional delivery environment for the receiving organisation. The reviewer receives a link to a clean, branded review portal rather than a file download or a consumer-grade sharing link. Expiring links match the compliance review window defined in the broadcast agreement. The access log and approval certificate provide the chain of custody documentation the broadcaster requires at delivery.

Music video and live performance content

Music video post-production involves close collaboration between directors, artists, labels, and management, multiple stakeholders with different creative priorities and different levels of familiarity with the post-production workflow. PlayPause's zero-friction client access, no account required, no download, link opens immediately in any browser, removes the barrier to participation for every stakeholder. Frame-accurate notes ensure that the artist's precise creative direction is actionable by the editor, not lost in translation through a third-party's summary.

Security Architecture for Post-Production Houses

The Controls That Protect Pre-Release Content in a Professional Facility

Dynamic per-viewer watermarking as standard

Every review link in PlayPause can be configured to watermark the video with the individual viewer's name and email address on every frame in real time. For a post-production house, this means that every external review session, director notes, agency feedback, client approval, happens on a copy of the cut that carries the reviewer's personal identifier. The deterrent effect changes behaviour before a leak occurs. The forensic capability resolves incidents after they occur. Dynamic watermarking is the single most effective security control available for distributed pre-release content review.

Expiring links, the automatic closure of access

Post-production houses accumulate large numbers of active review links across their project portfolio. Without automatic expiry, every link from every project remains accessible indefinitely. PlayPause expiring links close automatically at the configured date and time, at the review deadline, at the end of the scheduled client session, at the project's delivery date. The facility's security posture improves continuously as projects complete and their links expire, without any manual management overhead.

Access logging, a permanent record of every review session

The PlayPause access log records every viewing event for every review link: the viewer's identity, the timestamp, the duration watched, and the IP address. The log is permanent and unalterable. For a post-production facility, the access log is the evidence base for security incident investigation, the documentation for broadcaster compliance reporting, and the operational record for client delivery confirmation. Exported as CSV or PDF, it becomes part of the project's delivery documentation.

Instant revocation, close any link in one click

If a link is shared with the wrong recipient, if a relationship ends during a project, or if a security concern arises, any active review link can be revoked immediately from the PlayPause dashboard. Revocation is instant and irreversible, the link stops working the moment it is revoked, with no grace period. The revocation event is logged with a timestamp. The facility's security response to an incident involving a shared link is measured in seconds.

Domain restriction, access limited to approved organisations

Review links can be restricted to viewers who authenticate with an email address from a specified domain. A link shared with an advertising agency can be restricted to that agency's corporate email domain, so that only the agency's team members can access it, even if the link is forwarded externally. A broadcaster submission link can be restricted to the broadcaster's domain. Domain restriction adds a verification layer that ensures the content is only accessible by the intended organisational recipient.

Version compare · V2 vs V3
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PlayPause in the Post-Production Technology Stack

Connects to the Tools a Post Facility Already Uses

PlayPause integrates with the storage systems, NLEs, and communication tools that post-production houses rely on, so the review workflow fits into the existing infrastructure rather than requiring a parallel system. Adobe Premiere Pro · Avid Media Composer · DaVinci Resolve · Final Cut Pro · Slack · Google Drive · Dropbox · Frame.io · AWS S3 · Webhooks / API · Zapier · SSO / SAML (Enterprise)

NLE integration, from timeline export to review in minutes

Editors working in Premiere Pro, Avid, Resolve, or FCP export their timeline render and upload it directly to PlayPause. No intermediate conversion step. No review-format export preset to maintain. The cloud proxy generates from the master export and the cut is available for review before the editor has moved on to the next task. The NLE integration is not a plugin or an extension, it is the workflow of uploading the file you already have, with PlayPause handling everything that follows.

Cloud storage integration, upload directly from Google Drive or Dropbox

For facilities that use Google Drive or Dropbox as their primary file exchange mechanism with clients and collaborators, PlayPause connects directly to both. Files can be imported into PlayPause projects from either cloud storage service without downloading to local storage first. For facilities receiving client-supplied footage or materials via Dropbox or Drive, the import flow eliminates the download-and-reupload step from the intake workflow.

Notification integration, Slack and email

Review events in PlayPause, a new comment, a new version available for review, a completed approval, can trigger notifications in the facility's Slack workspace and in team members' email. The editor knows immediately when a director has left notes. The post supervisor knows immediately when a client has approved. Notifications are configured per event type and per project, so the team receives the alerts that are relevant to their role without being flooded with notifications from projects they are not actively working on.

How a Post-Production House Gets Started With PlayPause

  • Free trial and guided setup. Try PlayPause free for 14 days. Book a guided setup session and we will configure your workspace together, setting up your client portal branding, your workspace-level watermarking and security defaults, your Slack notifications, and your first project structure. The platform is configured for a post-production facility's specific needs from day one.
  • Upload your first project's current version. Create a project for one of your active productions and upload the current cut, in whatever format the editor has it in. The proxy generates automatically. Configure the access settings, the watermarking, and the link expiry before sharing.
  • Run the internal review pass. Share the cut with your post supervisor and producer using an internal review link. They leave their notes directly on the timeline. The editor receives frame-accurate, actionable feedback. The internal review happens in PlayPause, not in a separate note-taking tool.
  • Share externally with the director and client. Generate a director review link and a client review link with appropriate security settings. The director receives a link they can open on any device. The client sees a branded portal under your studio's identity. Both leave their notes on the same version record. You see all feedback in one place.
  • Manage revisions, version history, and approvals. Upload each new version to the same project. Previous versions are preserved. Reviewers compare current and previous cuts side by side. When the cut is approved, the client clicks the button, the certificate generates, and the production moves to delivery. Every step is documented.

PlayPause vs. Other Tools Post-Production Houses Consider

Post-production houses evaluating review platforms typically compare PlayPause against Frame.io and Vimeo Review. Here is how the platforms compare on the capabilities that matter most to a professional post facility operation.

What the facility needs PlayPause.io Frame.io Vimeo Review
All professional formats accepted without pre-conversion ✓ Yes ✓ Yes ~ Limited
Dynamic per-viewer watermarking (name and email per frame) ✓ Yes ~ Add-on ✗ No
Expiring share links with hour-level precision ✓ Yes ~ Basic ~ Basic
Branded client portal with custom subdomain ✓ Yes ~ Limited ✗ No
Formal approval with PDF certificate ✓ Yes ~ Basic ~ Basic
Multi-stage approval workflows ✓ Yes ~ Limited ✗ No
Per-viewer access log with duration and IP ✓ Full log ~ Basic ~ Basic
Export access log as PDF or CSV ✓ Yes ✗ No ✗ No
Multi-project dashboard across all active projects ✓ Yes ✓ Yes ~ Limited
Download for review with watermarked proxy ✓ Yes ~ Basic ✗ No
Domain restriction on share links ✓ Yes ~ Limited ✗ No
No client account required for external review ✓ Yes ✗ Account req. ✓ Yes
Approvals · logged sign-off
EditorProducerClient✓ Approved · locked

PlayPause Features for Post-Production Houses

Multi-project dashboard, real-time status across the entire active slateAll professional formats, ProRes, DNxHD, R3D, ARRIRAW, CinemaDNG, MXF, H.264, H.265Cloud proxy generation, no local transcoding, no export overheadFrame-accurate comments, every note pinned to the exact timecodeOn-screen drawing and annotation tools, arrows, circles, freehand on the paused frameDynamic per-viewer watermarking, name and email on every frame, unique per review sessionBranded client review portal, custom subdomain, studio logo, white-labelled notificationsMulti-stage approval workflows, sequential sign-off across multiple stakeholdersFormal approval with timestamped record and auto-generated PDF certificateVersion control with complete history, every version preserved with full comment recordExpiring share links, hour-level precision, automatic server-side closureDownload for review, watermarked proxy with time-limited download windowPer-viewer access log, who opened the link, when, for how long, from which IPDomain restriction on share links, access limited to approved email domainsInstant link revocation, one-click termination of any active linkBatch uploads, entire edit session output in a single drag-and-drop actionInternal review separation, team notes kept private from the client-facing recordExport access logs, PDF or CSV for compliance and delivery documentationIntegrations, Premiere Pro, Avid, Resolve, FCP, Slack, Google Drive, Dropbox, Frame.io, AWS S3

What Post-Production Houses Say About PlayPause

"We run thirty concurrent projects at any time. Before PlayPause, tracking which clients had reviewed which versions was a full-time job. Now the dashboard does it. Our post supervisors spend their time on production, not on chasing approval emails." , Head of Production, independent post-production facility "A rough cut appeared on a trade blog six months before our client's campaign launched. We had no way to trace which of the twelve recipients had forwarded it. After that we moved to PlayPause. Every link is watermarked. Every download is logged. We would have known in minutes." , Executive Producer, commercial post-production company "Our clients used to send notes in emails that said things like 'around halfway through, the bit with the music.' Now every note has a timecode. Our editors know exactly what to fix and where to fix it. The time we used to spend translating vague feedback has gone back into the edit." , Senior Post Producer, episodic post-production house

Frequently Asked Questions, PlayPause for Post-Production Houses

Do clients need a PlayPause account to use the review portal? No. Clients receive a review link, click it, and the portal loads in their browser. No account, no sign-up form, no app download. If you have set a password on the link, they enter that. Then they watch, leave notes, and approve, all without creating an account. Can we use our own branding on the client review portal? Yes. PlayPause client portals can be served from a custom subdomain, display your studio's logo, and send white-labelled email notifications. Clients experience the platform as your own review system, not as a third-party tool. How does PlayPause handle the volume of projects a busy post facility runs? The multi-project dashboard gives you a real-time view of every active project in your workspace, review status, outstanding notes, approval progress, and overdue items, all in one place. There is no project count limit. The dashboard is designed to operate efficiently across the scale of a professional post-production facility. What happens to old review links when a project delivers? You can set expiry dates on links when they are created, or apply bulk expiry to all links in a project at delivery. Expired links close automatically, no manual revocation required. You can also close a project's links in a single action from the project settings panel at wrap. Can we see whether a client has actually watched a version before we chase approval? Yes. The access log for each review link shows when it was opened, who opened it, how long they watched, and whether they left notes. You can see from the production dashboard whether a client has viewed the current version without sending a chaser email. How does the watermarking work for multiple clients reviewing the same version? Each review link generates its own dynamic watermark specific to the viewer who opens it. If you share the same version with ten different clients via ten different links, each of those ten clients sees a version watermarked with their own name and email. The watermarks are generated in real time at the viewer level, not at the link level. Can we restrict which versions are visible to external clients in the portal? Yes. Internal version visibility is separate from external client visibility. Rough cuts, technical passes, and internal work-in-progress versions are accessible to your team but not exposed in the client portal unless you deliberately share them. The client sees only the versions you have chosen to make available to them. Is the approval PDF certificate legally enforceable? The approval certificate provides a documented record with the approver's name, email, the version reference, and a precise timestamp. It is suitable for inclusion in delivery packages, broadcaster submissions, and dispute resolution. For specific legal enforceability requirements, consult your legal adviser on what additional documentation your contracts require alongside the certificate. Do we need to install anything on our workstations? No installation is required. PlayPause is a web-based platform accessible in any modern browser. Uploading files requires browser-based file access. The offline review companion app is available for macOS and Windows as an optional download for team members who need offline review capability. What is the pricing for a post-production facility team? PlayPause pricing is based on workspace configuration and the scale of your team and project volume. Contact PlayPause for a tailored enterprise quote for post-production facilities, or start with the 14-day free trial to evaluate the platform across your active workload before committing.

Review · frame-accurate comment

More From PlayPause

Advertising Agencies

PlayPause serves the creative agency side of the commercial production relationship as well as the post-production facility. Agencies managing review and approval of content produced by post facilities use the same platform to collect stakeholder feedback, manage client approvals, and coordinate multi-brand campaigns from a single workspace.

Broadcasters and Network Teams

Broadcasters using PlayPause for compliance review and technical approval receive content from post-production facilities in a professional, documented review environment, with access logs, approval certificates, and expiring links that match their compliance documentation requirements.

VFX Studios

VFX studios delivering shot reviews to post-production facility supervisors use PlayPause for shot-level review and approval management. Frame-accurate notes on individual composites, render progress sharing with director and VFX supervisor, and shot-level approval tracking integrate into the post facility's overall project management workflow.

The Review Platform Built for How Post-Production Houses Work

You manage high volumes of pre-release content, high-stakes client relationships, and hard delivery deadlines, every day. PlayPause gives your facility the review infrastructure that matches the professional standards of the work you deliver: frame-accurate feedback, forensic security, formal approvals, and a client experience that reflects your reputation. Try it free for 14 days across your current slate. No credit card required. Trial ends automatically. Guided setup available for post-production facility teams. All formats accepted · Unlimited projects · Branded client portal · GDPR-ready · Support from day one

How it works

The coded toolkit behind every review

v1v2v3

Version stacks

Stack every cut and compare two versions side by side, frame by frame.

30dPassword

Secure sharing

Expiring, password-protected, domain-restricted links with watermarking.

3 reviewers 30d

One review link

Send a single link, no downloads, no logins, no feedback lost in email.

Brand FilmPromoSizzle

Organized workspaces

Keep every client, project, and round in its own clean space.

Capabilities

Built into PlayPause

Frame-accurate comments

Pin notes and drawings to an exact frame, with threaded replies and @mentions.

Version compare

Stack cuts and scrub two versions side-by-side, frame by frame.

Approval locks

Lock a version as approved so there's never ambiguity about what's final.

Secure sharing

Password-protected, expiring, domain-restricted links with watermarking.

Camera-to-Cloud

Send proxies from set and start reviewing dailies before the crew wraps.

Integrations

Premiere & After Effects panels, plus Slack, Microsoft Teams, and Zapier.

FAQ

Frequently asked questions

We handle dozens of client projects at once. Can PlayPause scale without the cost becoming unpredictable?
Yes. PlayPause charges a flat fee per workspace, not per seat or per project. An Agency workspace at $15 per month covers your whole team and unlimited client invites, so costs stay fixed as your project load grows. There are no per-reviewer charges, no surprise overages when a large client sends five stakeholders into a review session.
Can we white-label the review experience so clients see our brand instead of PlayPause?
PlayPause's secure share links present a clean, minimal player that keeps the focus on the content rather than on platform branding. For post-production houses that want a fully branded portal, the Enterprise plan at $27 per month includes options to customise the review environment, giving clients a professional experience consistent with your studio identity.
How does PlayPause handle access control when we have overlapping client projects with confidential content?
Each project is isolated within its own share link, which can have a unique password and expiry date. Clients from one project never see another client's work. Internal team members access projects through the workspace, where role-based permissions control who can upload, comment, or approve. This separation is enforced at the project level, not just by convention.
Can our editors address client feedback without switching between PlayPause and Premiere Pro constantly?
PlayPause has native Premiere Pro and After Effects panels that surface client comments directly in the editing application. Editors see frame-accurate notes at the correct timecode in the timeline, mark notes as resolved, and upload new versions, all from inside Premiere or After Effects. This keeps editors in flow and reduces the context-switching that slows down revision turnarounds.

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